An mp3 blog for my friend, and you too.<br><br> The tracks posted here are up for a limited time. <br>If you\’re a copyright owner and would like anything removed, please let us know.

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Kathleen Loves Music

Don Patterson > Movin’ Up!

May 19th, 2009

Movin up

[Read more…]

David S. Ware > Birth of a Being

March 29th, 2009

David Ware Birth of a Being
Click here for this David S. Ware post. Sorry for the inconvenience.

Harold Ousley > Sweet Double Hipness

March 18th, 2009

 Harold Ousley
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Willis Jackson > In The Alley

January 28th, 2009

Willis Jackson - In The Alley
Please click here for this post. Sorry for the inconvenience.

Mississippi Fred McDowell & Honest Tom Pomposello

June 13th, 2008

Bulldogs photograph by iDream_in_Infrared’s
Bulldog Blues [Dance Remix]

Mississippi Fred McDowell & Honest Tom Pomposello > Bulldog Blues [Dance Remix]

This track is cool. Very cool. It’s the electro blues, yawl. It’s never been released anywhere, so heads up.

It sure is nothing like you’ve ever heard before. Try it, you’ll see. A holy alliance of the legendary country blues musician Mississippi Fred McDowell and his student, mentor, and friend (and my friend) Tom Pomposello, the tracks were recorded in the winter of 1971 (they were, in fact, Fred’s last recordings before he passed away in 1972), and overdubbed/remixed in 1998 by Tom (also his last project before he passed away in 1999) and Lenny Kravitz’s partner, composer/producer/mixer Dave Baron.  The 26 years between sessions is the secret sauce.

After recording Fred’s last album, Tom asked Fred for some coaching at a demo session. Fred wanted to sing along with Tom’s guitar, and Tom, nervous about his still forming skills [Read more…]

Songs from The Neverhood.

June 7th, 2008

Terry S. Taylor's Imaginarium

This post has moved here. So sorry for the inconvenience.  

The Impressions.

May 17th, 2008

The Impressions > We’re a Winner

It doesn’t take much to get me in an impressionistic mood, so our friend Steve Woolf’s photo and title moved me there today.

Was Curtis Mayfield the most impressive singer/songwriter of his day? Of his genre? Probably. And it’s probably why it took me so long to pick a single to feature here. I ended up with We’re a Winner because aside from being a favorite I seem to remember it being a core sample for something from the Space Jam soundtrack, so I thought some of the older young folk reading might recognize it.


“I’m trying to get you to learn how to listen to Charlie Parker.”

May 17th, 2008

Earle Warren & Phil Schaap

Earle Warren & Phil Schaap, Columbia University, 1985; Photography by Nancy Miller Elliott

Phil Schaap’s obsessive nature has made him an invaluable resource in the world of jazz (and plagued many of his relationships he’s had that I’ve witnessed). And he’s become such a fixture in the New York radio community that the editor of The New Yorker has devoted an extensive profile of Phil this week that I’d recommend to anyone who loves Charlie Parker.

Anyone who knows Phil (he and I were in college radio in the early 70s; he still broadcasts on the station today) can argue pro and con for slightly less long than his description of a, say, 1947 Count Basie recording session, but I found his philosophy of jazz incredibly refreshing when he told me about it at a bar in 1999, and is recounted in the profile:

“The school system is creating six thousand unemployable musicians a year—from the Berklee College of Music, Rutgers, Mannes, Manhattan, Juilliard, plus all the high schools,” he said. “There are more and more musicians, and no gigs, no one to listen. So what happens to these kids? They work their way back to the educational system and help create more unemployable musicians. My rant is this: I’m not trying to teach you to play the alto sax. No. I’m trying to get you to learn how to listen to Charlie Parker.”

Phil Schaap by Risko
Phil Schaap by Risko

[Read more…]

Frank Olinsky paints Rusty Cloud.

April 27th, 2008

Rusty Cloud
When I was a budding record producer my go-to guy for album covers was my great friend from childhood, Frank Olinsky, who went on to become one of the most respected and successful music designers of the last 30 years (starting, most famously, with his co-design of the MTV logo). He selflessly went to work on whatever I asked him for, including this unreleased album cover for the unreleased (really tasty) jazz album cut by R&B pianist/singer/songwriter Rusty Cloud (Bo Diddley, Southside Johnny & the Asbury Jukes, The Blues Brothers). (Maybe I can find and post the tapes someday.)

Frank’s a great designer, but, in my eyes, an even more incredible illustrator and painter. This cover always reminded me of Eberhard Weber’s “The Colours of Chloë”, but with Frank’s trademark wry humor.

Mississippi Fred McDowell > Live in New York

March 10th, 2008

The post for Mississippi Fred McDowell  has moved here. Sorry for the inconvenience.