Kathleen Loves Music

When I was a budding record producer my go-to guy for album covers was my great friend from childhood, Frank Olinsky, who went on to become one of the most respected and successful music designers of the last 30 years (starting, most famously, with his co-design of the MTV logo). He selflessly went to work on whatever I asked him for, including this unreleased album cover for the unreleased (really tasty) jazz album cut by R&B pianist/singer/songwriter Rusty Cloud (Bo Diddley, Southside Johnny & the Asbury Jukes, The Blues Brothers). (Maybe I can find and post the tapes someday.)

Frank’s a great designer, but, in my eyes, an even more incredible illustrator and painter. This cover always reminded me of Eberhard Weber’s “The Colours of Chloë”, but with Frank’s trademark wry humor.

Willis Jackson
with Pat Martino
Single Action

Produced by Fred Seibert

1. Evergreen
2. Bolita
3. Makin’ Whoopee
4. You Are My Sunshine
5. Hittin’ The Numbers
6. Single Action
7. Evergreen (outtake)

Willis Jackson: tenor saxophone
Pat Martino: guitar
Carl Wilson: organ
Jimmy Lewis: bass
Yusef Ali: drums
Ralph Dorsey: percussion

Willis Jackson single handedly pulled me away from the avant garde and towards the soulful, bluesy expression of jazz that was popular in the African American neighborhoods of mid-century America. He didn’t mean to, he didn’t want to, it was just that he was so damn good.

Less a producer than actually a recording supervisor (my credit on this album) I arrived at our first session together with virtually no information on what we were recording or who was playing. Willis was tough and a little paranoid so this situation played out during the three or four sessions we did together. I’d never heard any of his music (it wasn’t cool enough within the jazzbo circles I [Read more…]

Hank Jones
Groovin’ High

Produced by Fred Seibert

1. Algo Bueno
2. Anthropology
3. Sippin’ at Bells
4. Blue Monk
5. Groovin’ High
6. I Mean You
7. Jackie-Ing

Hank Jones: Piano
Sam Jones: Bass
Mickey Roker: Drums
Thad Jones: Cornet
Charlie Rouse: Tenor Saxophone

As soon as we saw the incredible reaction to our first release with Hank Jones, Bop Redux , in 1977 it was clear to Muse Records’ founder Joe Fields and me we needed to record a sequel. Hank’s absence from the scene for 25 years (in the CBS Orchestra) had only made him better, and the yearning for the emotion and craft of originators of bebop was burning a hole in the hearts of 70s jazz fans. We moved recording from my base at CI Recording in Manhattan (the former Mercury Records studios) to Rudy Van Gelder’s in Englewood Cliffs, New Jersey, the most famous studio for jazz in the world.

The moment of discord with Hank came when I insisted he replace [Read more…]

The CD reissue from 2000

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Front cover

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